A raw stream of screens ripped from the Internet. Jumpstyle is an electronic music that appeared in the early 2000s in Europe. Accompanied by its dance, where one jumps frenetically in rhythm, it is presented in videos; filmed in bedrooms, parking lots, garages, or living rooms saturated with posters and neon lights.
The montage does not aim to organize but to confront in a myriad of front-facing cameras, ordinary settings, and a stroboscopic pulse. Music such as hardstyle, DIY techno, and bass compressed by a phone microphone is preserved as is. They pile up and collide, each video struggling to be heard.
The bouncing silhouettes contaminate each other, the beats clash, and the collective memory of the net becomes an involuntary, absurd, and hypnotic choreography.
The project questions digital memory, the circulation of images, and their reactivation in an immersive projection and sound setup. This pirate archive does not preserve; it disrupts. It unearths gestures lost in the depths of YouTube, bodies in jumpstyle projected out of context, and makes them collide in a hierarchy-free stream.